Event 8 Details

What: AJT’s Second Performance Event

When: Monday, October 25, 8pm – 9:30pm Eastern Time (5pm – 6:30pm Pacific Time)

Who / Projects (in show order):

  • My Father’s Son; Searching for Identity written and performed by Avi Aharoni (USA)
  • Lilith Women’s Theater presents Mikvah by Terry Baum (USA)
  • Summer of Semitism by Ori Black (Canada)
  • Yiddish Theatre Ensemble presents God of Vengeance by Sholem Asch (USA)
  • Stranger in This Land by Si Kahn (USA)
Avi Aharoni

Avi Aharoni

Terry Baum

Terry Baum

Bruce Bierman

Bruce Bierman

Ori Black

Ori Black

Si Kahn

Si Kahn

Laura Sheppard

Laura Sheppard

AJT Member Tickets: $15 for session ($99 for entire conference)
Non-Member Tickets: $25 for session ($99 for entire conference)

How: Register here for this single event or the entire conference

Description: Performance excerpts curated by the AJT Conference Committee. The second of three performance events. EVENT 8

This event will be recorded and made available to conference attendees for 3 days via a private link.

My Father’s Son; Searching for Identity written and performed by Avi Aharoni (USA)

My Fathers SonA young Minnesotan searches for information about his late father’s life, and finds a story of immigration and assimilation. Along the way, he begins to find himself.

Having been born in a small village of Iran and then emigrating to Israel as a young teen, Avi Aharoni’s father persevered through much of the Middle East’s recent history. By going to work at 12 years old, he began supporting his loved ones; a common thread found throughout the rest of his life. At different points throughout the next several decades, he finds himself fighting in numerous wars, creating a family, starting businesses, creating yet another family, and eventually uprooting his life to move to the United States.

Avi serves as family archeologist as he unearths complicated family history and tracks his father’s immigration story from Iran to Israel to the U.S. At the same time he seeks answers about his own identity and belonging, grapples with society’s prejudices, and contemplates the tragedies and victories that come from lives fully lived.

My Father’s Son; Searching for Identity was produced by Six Points Theater, formerly the MN Jewish Theatre.


  • Robert Dorfman, Actor, Director, Broadway Veteran
  • Ryan Melling, Cinematographer, Filmmaker
  • Reed Rejsa, Sound Designer, Composer, Musician
  • Barbara Brooks Artistic Producing Director of Six Points Theater

Lilith Women’s Theater presents Mikvah by Terry Baum (USA)

MikhavIn a little Jewish village in Poland in 1905, an unhappy young married woman falls in love with the attendant of the mikvah, the women’s ritual bath. The women are driven to kill the two men who threaten them, after which they flee the village for a new life in the big city.

Directed by Heather Ondersma


  • Renee Rogoff, Actress
  • Emily Garrison, Actress

A mikvah (women’s ritual bath) in a small Jewish village (shtetl) in Poland. Time: 1905.

Rachel visits the mikvah for the first time for her ritual purification before her wedding. She has been highly educated by her father and dreads being married. Chava, the mikvah attendant, illiterate and awkward, welcomes her. Rachel discovers that her husband demands an obedience she refuses to give. She turns to Chava for comfort. The two women fall in love. Rachel longs to run away with Chava to the big city, but Chava refuses. She cherishes her secure little world. Rachel finds a little book on the religious meaning of the mikvah and decides to teach an overjoyed Chava to read. Meanwhile, Rachel’s husband has become violent, which enrages Chava. A beggar spies the two women “under the covers” and threatens blackmail. Their attempt to pay him off goes awry. Chava ends up killing him. Rachel, now pregnant, gives her husband an overdose of his sleeping potion, which kills him. The two women flee to the big city to begin a new life with their baby.

Summer of Semitism by Ori Black (Canada)

Summer of SemitismHow do we feel like we can belong safely in the world when the place we love and cherish the most is no longer safe? Set in one of the most quintessential North American Jewish experiences (summer camp), Summer of Semitism examines how Jewish youth today confront and process antisemitism, how it affects them, and furthermore, how they view themselves within the wider Jewish diaspora.

  • Ori Black, Playwright, Actor, Summer of Semitism
  • Emma Ferreira, Actor, Director, Poet
  • Ashley Frederick (she/her), wearer of many hats in Theatre & Film
  • Hershel Blatt, Actor and Writer
  • Tom Shoshani, acting student at Ryerson University
  • Wayne Burns, award-winning actor, writer and producer

Yiddish Theatre Ensemble presents God of Vengeance by Sholem Asch (USA)

God-of-VengeanceAn online video adaptation of Sholem Asch’s groundbreaking 1906 Yiddish play re-set during the 1930’s in New York’s Lower East Side, directed by Bruce Bierman with Karen Sellinger as Assistant Director. The production created entirely on Zoom during the COVID pandemic with a cast of 17 actors features digital set designs by Jeremy Knight and an English translation by Caraid O’Brien with some Yiddish.

​​Yiddish Theatre Ensemble (YTE):

  • Laura Sheppard, Producer, Co-Artistic Director, Yiddish Theatre Ensemble
  • Bruce Bierman, Director, Co-Artistic Director, Yiddish Theatre Ensemble

Plot: Upstairs, a Kosher Jewish home; Downstairs, a brothel; In-between…a forbidden love.

2021 Video production of God of Vengeance by Sholem Asch


  • Translation by Caraid O’Brien; Dramaturgy, Aaron Beall
  • Production Designer/Editor/Technical Director, Jeremy Knight
  • Assistant Director, Karen Sellinger
  • Composers, David Rosenfeld and Heather Klein
  • Costume Consultant, Suzanne Stassevich
  • Sound Consultant, Polo Talnir
  • Promotional Video Editor, Mark Faulkner



  • Roni Alperin (Yankl)
  • Jill Eickmann (Soreh)
  • Elena Faverio (Rivkeleh)
  • Zissel Piazza (Mankeh)
  • Simon Winheld-(Shlomo)
  • Esther Mulligan (Hindl)
  • Naomi Newman (Reb Eli)
  • Josiah Prosser (A Scribe)
  • Rebekah Kouy-Ghadosh (Basha)
  • Frances Sedayao (Rayzel)


  • Linda Ayres-Frederick (Old Blind Woman)
  • Heather Klein (The Chanteuse)
  • Gilberto Melendez
  • Merle Nadlin
  • Leni Siegel
  • Randall Solomon
  • Denise HinglePhoto Credit: Elena Faverio (Rivkeleh) and Zissel Piazza (Mankeh) – God of Vengeance

Stranger in This Land by Si Kahn (USA)

Stranger in This Land150 years ago, members of two extended Jewish families leave Europe, hoping to build new lives in the United States and Canada, bringing with them generations of faith, poverty, tradition, hard work, superstition, and humor. Their journeys parallel the struggles of immigrants today to adapt to countries, cultures, languages, and ways of life often far different from the ones they left behind, and to confront the hardship, racism and violence they too often encounter.

Stranger in This Land was produced at Main Stage West in Sebastopol, California in December 2016. At that time, the musical was named Hope.

Directed by Beth Craven
Musical Direction & Arrangements by Jim Peterson & Roxanne Oliva

The Company:

  • Alia Beeton
  • John Craven
  • Mary Gannon Graham
  • Jeremy Gorman
  • Roxanne Oliva
  • Jim Peterson
  • Sharia Pierce
  • Tim Sarter

Stage Management:

  • Paulette Ryan Staker
  • Sound Design: Doug Faxon
  • Light Design: Missy Weaver
  • Scenic Design: Elizabeth Craven

“It’s an especially timely and important piece these days. It speaks of immigrants, freedom, patriotism, terrorism and racism, all subjects that have held the country in thrall.”
-San Francisco Bay Area Theatre Critics Circle, December 2016

In a story that begins 150 years ago, members of two extended Jewish families in Europe are forced to become immigrants, hoping to build new lives in the United States and Canada, bringing with them generations of faith, poverty, tradition, hard work, superstition, and humor.

You’ll meet soldiers in the Czar’s army, shoe factory workers, gas station operators, rabbis, civil rights leaders, pick and shovel laborers, Jewish faith healers, bootleggers, Talmudic scholars, and a driver for Al Capone.

This is a deeply Jewish story. It’s also an Afghan story, a Hmong story, a Syrian story, a Ukrainian story.

In Stranger in This Land, we laugh to keep from crying.


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